Cette photo prise à londres au moment de la sortie des collections nous montre l'officiel dans les vitrines des grands magasins seldfriges.

Cette exposition a été organisée par la seymour press ltd.

Tercryl from marcel blanc and is belted in black leather.

Protect yourself from the ardors of the sun with this shantung umbrella.

Rectangular scarf in white mousseline, ornamented with charming hand painted birds of the islands.

Le mar- chand for givenchy.

Purse in natural straw in a rounded form, the double handle trimmed with a délicate little bow.

Charm- ing little glove of white kid, with a miniscule bow.

Two charming fantasy pièces of jewelry from this creator: a necklace and clip in pearls and eut stones from the tyrol.

A very élégant purse in eggshell color leather with the handle attached to the clasp and a white shoe in leather with a métal buckle.

White leather belt with saddle stitching, carnations and gold buckle.

You breathe ail of spring in sniffing thèse branches of lily of the valley.

» Hère spring seems to corne out of a hat box.

Quickly rid the box of the tissue paper and you will discover a new fashion, young, amusing, seductive to which you will not be able to resist very long.

Whatever the shape of your face or your fashion preferred, hère is the bob, the sailor, the cloche which you will soon buy.

On the left hand page, gilbert orcel proposes this 'double hat' in silk printed in red and black designs from chatillon, mouly, roussel.

This mode!Completely camouflages the hair.

On this page, paulette, a little in the same spirit, puts on a little turban in organdy from rodolphe simon, a light sailor in picot of the same shade of olive green from montezin.

Worn with short hair or with a chignon, little bob in exotic from lagore.

Veil with beige and white chenille dots from tissage du termay on a bob in black bakou from montezin.

A navy blue and bright pink scotch silk from marcel guillemin gives its ingénue charm to this very youthful bob.

Contrast of a black crown and a white brim on this sailor of a graphie and very classic une.

Navy saddle stitchings form an irregular design on this yellow toile cloche, from bianchini-férier.

On the back of this little white sailor in straw from ro- dolphe simon is placed a beige rosé from judith barbier.

» On this page, rosé valois.

Curled straw of a tender blue from rodolphe simon and veil of the same shade from tissage du termay.

On the right page, jean barthet.

Crown of flowerets from judith barbier for this little calot in veiling from tissage du termay.

» The good season not only gives the right to light and fluid fabrics but also brings to vvomen the désire to wear light colored furs in young designs which permit them to welcome the days and evenings more or less fresh of april and may, thèse months in sunshine for the poets but which are often in reality quite chilly.

We présent on thèse pages a whole range of jackets and little coats in fur in accord with the spring and destined above ail for the élégant afternoon engagements or evening parties.

You will note that mink is king in ail its shades, often in pale grays.

Delightful in style and so pure in line, this little jacket in emba azuren mink.

Closed close to the throat by a mother of pearl button, this little jacket is in emba cerulean mink.

The sleeves are large at the bottom.

Délicate proportions for this jacket in emba souffle of spring mink.

Hairdos from pierre jacy.

» Coat of white mink, treated in a young, relaxed style, little jackets, pre- cious and simple at the same time, are the models which the great furriers offer you for the spring.

A young girl could wear this fine redingote coat, made in a white emba jasmine mink.

The bust is slightly fitted and is imperceptably fitted to the body.

Jacques rober, worked in chevrons, with great workmanship, this charming jacket, collarless, is in emba azuren mink.

It stands out charmingly from a sapphire sheath.

Clip in tyrolian stones from vendôme.

Halfway between boléro and jacket, this pretty model is made in emba tourmaline mink.

The quite important collar has slit revers.

The ensemble is worked crosswise.

Hairdos création guillaume.

» Lovely among the lovelies, the panthers and ocelots are the most treasured furs of our days.

Admirable, this fine coat in somalia panther, with tie in dark mink.

What woman could resist it.

Ocelot, fascinating in its black spots on a sand color, has inspired this great furrier in this sport coat with a big collar.

The big mink collar of this magnificent ocelot is worn like an officer's collar.

How could one not be seduced by this coat in string color lamb breitschwanz with its widening line.

An élégant work of pleats trims this fine coat in indian breit- schwanz.

The collar has tailor revers.

Worked on the cross, this little jacket, very sober, is in cheetah.

Very simple, it is closed by a charming rounded collar.

Three quarters in panther, crossed by black leather brandebourgs.

Flattering to the maximum, this bathing suit in cotton pique from simonnot-godard is accompanied by a tunic coat in the same fabric in imma- culate white.

Big gardener pockets and fringes trim this tunic in tweed from pierre daure worn over a combination- bermuda in shantung from bucol.

» The harmony of colors are a pleasant concern for women.

With the new shoes, often in very bright tones, we hâve searched for fabrics and jewelry to create the ensembles.

This new version richelieu is in a prince of wales in gray and pink coral worked in.

Very parti- cular différent directions.

Perforated pink leather.

Diagonals from besson.

Sandals in bright green kid with low heel for easy walking.

Strap on the arch, cutout vamp.

A natural silk from chatillon, mouly, roussel sings color.

Délicate, this sandal in black and white surah, printed in large spots.

Slender strap tied on the side.

A wool and fibranne toile 'payasol' from lesur, a clip from r.

Inspiration of charles ix, this shoe is made in tennis flannel and trimmed on the side with a little buckle.

The fabric of lesur, 'uru', is in pure wool in maryland tobacco color.

The gold clip is from grosse.

This comfortable and soft laced shoe is in black kid, trimmed with bordeau leather, forming rounded scallops.

The lacing is also în bordeau.

The wool from dormeuil is a charming black and white pied-de-poule.

Admire hère an ensemble in white toile with the' sheath dréss buttoned on the side.

The bodice is wisely crossed over and the matching jacket closes edge to edge.

» You will choose among thèse dresses with the exquisite transparencies as flattering as possible: from left to right you will admire.

A pleated quill gives the movement and the animation to this dress with a large spectacular décolleté.

A panel in the back seems to float.

Fabric, lorganza bianchini-férier.

Ribbons of navy blue satin ribbon edge thïs dress with long sleeves and veiled décolleté.

The light skirt is pleated and the belt in satin.

Mousseline bianchini» férier.

The bodice of this dress gives the effect of a little cape and the décolleté is deliciously transparent.

The ensemble is made in mousseline nylon nylfrance from bucol.

Jewelry in tyro- lian stones.

Large and seductive décolleté for this black dress over an ivory foundation.

Calais lace from louis gubert.

The skirt entirely sunpleated for this charming dress with long fitted sleeves, bodice also fitted and a very modest neckline.

Calais lace from pierre brivet.

Frothy and délicate in its pleated flounces, this long sleeved black dress is so attractive.

» White crêpe and cloque are favorites for the élégant hour of the day's end.

This dress with its big hat is belted in black satin bowed in the front of the skirt.

The bodice, buttoned in black is widely crossed over and rises to the throat base.

The fabric is a cloque from hure!.

Also from christian dior, this delightful dress in white crêpe is characterized by the sleeves, very wide at the top.

A belt of the fabric marks the waistline.

» The cocktail ensemble is often very light and embroidered or scattered with bright points which give it great brillance.

The soft pastel colors please for the hours of élégance.

Hère are two charming models.

How charming this little jacket with long sleeves preciously embroi- dered in pink and almond green, half covering the almond sheath with an assymetric neckline.

Ah shining with paillettes, this cocktail suit is inspired by délicate taste.

Straight jacket, gathered skirt.

The pailletted wool is from malhia.

» The long sheaths sliding over the body are often worn under a very light coat in mousseline or in organdy.

They are the perfect accompaniment of thèse marvellous dresses which they seem to caress.

Christian dior, on the left, seduces us with this mar- vellous dress in crêpe, treated in a supple sheath.

The bodice is gathered and bowed on the side.

The light coat is embroidered in fine gold.

Nina ricci uses a venise lace to make this sheath trimmed in front with pure white satin.

The coat has a martingale tied in the back.

Venise lace, simonnot-godard.

Jewelry harry winston and hairdo alexandre.

» The couturiers this season love the prints.

Whether on a light ground of mousseline or on a heavy silk, they hâve chosen almost always the large designs of cashemire or inspired by flowers.

Ample and vaporous, this dress in lorganza printed in blue green, mauve from bianchini-férier has a deep back décolleté.

Belt crosses and is bowed in front.

Jewelry van cleef et arpels.

Cut like a sari, this dress which leaves one shoulder bare is in cashemire silk from bianchini-férier.

Hairdos from elrhodes.

Ail the shoes are from charles jourdan.

» Embroidery plays a star rôle this season.

It frequently trims bodices in contrast with the skirts which are sometimes sheaths, sometimes wide.

We hâve photo- graphed two typical models.

Slender straps hold the profound décolleté of this dress in beige crêpe from abraham.

An embroidery of pearls and silver, done by mesrine, glistens on the corsage.

Jewelry from van cleef et arpels.

Glowing with peacock blue and orange paillettes, heightened by turquoise and coral, the bodice of this dress is in the same tones as the skirt in silk from bianchini-férier.

» Sparkling, glowing, fascinat- ing, gold gives it's unequalled éclat to thèse dresses.

In seeing them, they evoke the annals of the extrême orient, its idols and temples, their irresistable appeal.

Hindoo tunic in tulle from dognin, entirely embroidered in gold and pampilles water drop opening.

Skirt slit in front in crêpe from léonard.

Threequarter tunic in heavy lace from dognin reembroidered in gold and cellophane.

The hairdos are from ale- xandre.

The jewelry is from harry winston.

It is a banana tergal from prudhomme which makes this two pièce.

Blouson with round collar and breast pockets.

Redingote in heavy white venise lace from laurent, re-embroidered with motifs in high relief.

The jewelry is in bohemian stones.

This dress 'en taille' has a shirtmaker bodice and a pleated skirt.

Mauve tergal from hallenstein.

The jewelry is in bohemian stones.

Completed by a matching dickey, this suit is in gray chine wool from verbie.

The jacket with martingale is crossed low.

» Above, from left to right.

This collarless dress is in a white fancy jersey from racine.

A rounded applique trims the bodice.

The jewelry is in tyrolian cut stones.

A tergal mous- seline printed in dark tones from fred carlin makes this charming two pièce.

A slender belt marks the waistline at normal.

On the opposite page, from left to right.

Two pièce in navy wool jersey from racine.

The casaque has short sleeves and a belt.

The skirt is trimmed with a few gathers.

Pure combed wool crêpe from dumas maury for this two pièce, the skirt has pleats in front and the casaque a round décolleté.